I took that at as her one, being rather surprised that Geralt did such a thing because it's Geralt, lol. She seemed happy about it to me, touched. Especially after, lolol.
And two if not given the rose, it'd be expected. This is Geralt after all, lol. Committing usually isn't his thing. Then there's Yennifer to think about in both options for her personally.
If you save her, you can see their connection a lot more. I give her the rose then stick to Iorveth's path, and it always felt like he cared for her to me when played correctly.
That's also how I'll keep playing it. These aren't the books so I don't care who canon Geralt would love, he's a changed man for me since his rebirth, one that can commit a cause and a woman he developed feelings for. I think his "Killing monsters" trailer matches up with this idea rather well, him killing humans who are doing wrong, and "canonically" too.
Ugh. If I thought choosing between accidental romance initiated companions in DA was bad, Yennefer/Triss shipping wars are gonna get ugly come May. ![]()
I'm undecided until I run into Yennefer. Then both Geralt and I will probably end up going, "Mmm-hmm," and frowning a lot in consternation before Dandelion helpfully springs a distraction.
For the dark fantasy I'm currently interested in, I have the scale of Bleakness and the Scale of Darkness!
From most to least:
Bleakest: Dark Souls, The Witcher, A Song of Ice and Fire, Dragon Age.
Darkest: A Song of Ice and Fire, The Witcher, Dragon Age, Dark Souls.
This is of course using arbitrary definitions. In Dark Souls, everything and everyone is doomed, but the creators took care that every character and monster would have a certain dignity about them. Considering the circumstances, everyone's shockingly nice.
But seriously. Doom. ![]()
A Song of Ice and Fire, like the Witcher, has a doomy doom having to do with the cold, but the Walkers are something people can conceivably fight. The Witcher's end of the world scenario isn't an army that can be defeated. While people suck on a similar level to A Song of Ice and Fire, the world's possible salvation has already been passed over twice, once by one of the main antagonists who refused on moral grounds. (To be fair to the man's villain cred, what the plan required went WAY beyond the pale.
) Dragon Age has shifted from darker fantasy, particularly 2, to something more optimistic. It's a very nice mixture of horrible people interacting with morally grey ones, and a handful of very nice people. And a focus on complicated circumstances that drive people to do horrible things, like all of them.
And that's my rant on my personal fantasy preferences for this morning. ![]()





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