Agreed.
The quality of straight male romances is awful compared to the straight female romances.
One the one hand you have this very religious woman who can disagree with all your actions right from the beginning of the game starting with which path you take to the mountain but if you flirt with her, give her a smutty book and read some sappy poems, she sleeps with you, professes her love and then justifies her weird behavior with :- "It was all the Maker's plan." or "It is the Maker's will."
On the other hand you have this pacifistic bard turned diplomat who you can profess your love to, but then her parents say that she is engaged, and even though you are the goddamn Inquisitor, you cannot do something like talk to her parents (but you can decide if the empress of nation dies or not). Instead, you have to challenge her suitor to a duel and you cannot even play the duel (What ? I could duel Loghain or engage in Provings just fine in Origins) but must instead watch a cutscene until she bursts into the crowd and you either declare your love (even though you are supposed to actually be romancing her) or don't in which case she either dumps both you and her suitor (she could have dumped her suitor before but Lolnope.).
The worst part of these two romances is how cliched, how un-game-like they have become. Worst still, the player has very little agency in them.
Compare the two with
Morrigan, a free spirited witch who grew up with an abusive mother, who was taught to just see this world in black & white, whom you can just be f**k buddies with up to a point, until which she make you dump her or if you choose to romantically pursue her, she becomes really conflicted in a good way, who then reveals she wants your sperm for an ancient ritual and didn't plan on falling in love with you at all but it happened. Oh and on the way of doing that, you can help her find her mother's grimoire in which she finds out her mother possesses her daughters. She requests you to confront her mother and kill her and get her mother's actual grimoire. You can do that or diplomatically do it or not do it or not find her mother's grimoire in the first place. On the topic of that ritual, you can either participate in that ritual or not, in the latter she leaves early and in the former she leaves later after the Archdemon is killed. You can then choose to pursue her and either follow her or let her go on her own or stab her. She acts all tough and gives you a ring, you can give her many gifts. She can act all giddy and cute or all temptress like.
Leliana, a bard who became a born-again Andrastian after she was screwed by her lover and bardmaster. She joins you due to a dream, she has lots of interesting tales to tell you about all sorts of places and all sorts of people. When her past as a bard is revealed, she does not lie about it and says she will not use you since she values you as a friend. You can have some funny dialogue with her about that. Her former lover ambushes her and then you have the option of not confronting her former lover or having Leliana drive her former lover away or killing her. Then you have the option of helping her decide the course of her personality. Strangely for a bard who is familiar with manipulating people and seducing them, she stumbles and acts like a schoolgirl of sorts. She can either join you in specific sexual conquests in a brothel or be your mistress or just your lover. You can give her gifts, her favorites are specific type of flowers or religious symbols or shoes or a nug.
See the difference ? Morrigan and Leliana make Cassandra and Josephine, especially in terms of their romance arcs... 
They had more outcomes for their romances. Their romances had agency. Their quests involved doing something that had different outcomes. You can choose to not do their quests at all. It felt like an actual interaction was happening, not one character blindly pursuing the other.
In Inquisition, you just need a smutty book, a sappy love poem and to declare your love and that's it.
In terms of straight female love interest.
Solas had diverging outcomes for his quests. You can do shite like drinking from the Well of Sorrows or defend Dalish Culture or not want to have your Vallaslin removed. Heck, you get some Fade tongue time.
With Blackwall, once again, there was choices. You can free him or not. You can choose to continue doing it with him after that or not. You can even make him into a slave of sorts.
TL;DR :- Cassandra and Josephine romance arcs felt remarkably shallow and hollow. It felt cliched and less nuanced and inferior to the straight female romances or the straight male romances from previous games.
I believe Gaider wrote Cassandra' romance ? I can't believe that he could write something so hollow, especially when you see he is capable of writing Morrigan and Dorian so darn well. & Sylvia did an outstanding job with Liara T'Soni...only to give us something that is of lower quality...
*Disgusted noise*