I think the latest episode of Better Call Saul stands attest to why Vince Gilligan, as showrunner and creator, is always at the top in regards to good storytelling, which involes; Always packing a tight and careful planned plot, where nothing is left to obscurity -- In a lot of ways we always knew it was coming, the things that happened in this episode and the that's part of the reason why the impact is big, because the larger concern is always "how it is coming". Even if the writers and Gilligan are seemingly showing their hand through foreshadowing, flashbacks and any knowledge we've been provided by watching Breaking Bad, we still can't quite grasp how it's all gonna hit us. Once we realize how and why, then we are left in awe.
What we'll witness in this episode is the birth of the man who becomes, Saul Goodman.
Taking a few things into consideration, what is the truth? "People don't change" or "It's up to you".
We are only an hour long episode away now from a season finale, which hopefully there'll be many more of those to come. As has been carefully established, Jimmy McGill & Mike are the stars of this show, living out their existential differences. For Mike, you always have a choice. You can’t change what you’ve done in the past, but there’s always more than one way to live out the consequences. But Jimmy has just confirmed what he’s always suspected: His future was written in stone years ago. His brother doesn’t believe he can change. And so he’s been systematically blocking any chance Jimmy might have had to do differently.
The flashbacks we've seen of an imprisoned Slippin' Jimmy, the whole stick with Chuck's mental health and how it relates to Jimmy's unscrupolous ways of getting ahead in the law business. It all ties together to what has actually been going on the whole time. Chuck cannot permit himself to believe that Jimmy has changed, as his ego will allow that to be true.. The fact that Jimmy so easily rose up the ranks on his territory to the point where Jim piles up a massive case of fraud and extortion at a retirement home where he works. Amazing, right?
Pimento” culminates in one of the bitterest scenes I’ve long since seen on TV -- 9 episodes we've been through up until this very moment, where Jimmy's steps into the venal world of Saul Goodman are only drawing ever closer, as countless attempts of comitting himself to hard work and getting out of his way to help his clients and friends. It's remarkably efficient, compared to the seasons it might take another show to accumulate this much pent-up emotion and illustrate in the present the baggage of this much backstory. We've witnessed the source of Chuck’s convictions in a few flashbacks; as I've been mentioning, he’s had to listen more than once to Jimmy's promises that things will be different, that he’s changed. But much more vividly, frequently, and intimately, we’ve seen the dogged determination of Jimmy to change his brother’s mind, to reform himself into someone who serves the good through the means of the law. Someone who uses the law to help the desperate and punish the guilty—to do the right thing, not to make a quick killing. And all of it has been in vain. The great Charles McGill cannot conceive that he might share a profession with his ne’er-do-well brother. His only recourse is to make sure Jimmy stays mired at such a low level that Chuck can safely dismiss him as “not a real lawyer.”
What is so clever, however, is the amount of effort there has been placed into keeping it a secret. It's a complete turn out of left field -- Heck, there's no reason to think that taking on a multi-dollar corporation alone, on behalf of clients whom partially suffers from debilitating psychological conditions, as they are hauled into a courge to argue nuisance filings, while the oppositions drowns the McGill brothers in paperwork enough to fill a State-Villa. As soon as he’s gotten Jimmy to agree to take the case to HHM, Chuck has to scramble to cut off his larger ambitions at the pass. What hurts Jimmy the most is that Chuck subjected himself to the agony of fishing out the quarantined cell phone to call Howard, just to make sure Jimmy wouldn’t get anything a real lawyer might get. “The phone must have felt like a blowtorch in your ear,” Jimmy seethes. That’s how important it was to Chuck to keep Jimmy down. And as loathsome as Howard has been so far, the revelation of Chuck’s longtime sabotage campaign actually puts his Hamlindigo Blue ass in a new light. He’s played the bad guy so Chuck can continue to pretend to be on Jimmy’s side—which, when he explains it to Kim after she protests Jimmy’s treatment, makes her realize how much more it will hurt when Jimmy learns the truth. Unfortunately, when she begs him to take the deal, Jimmy’s spidey sense for bullshit activates, and his strangely dead phone provides the telltale clue.
It beckons the question why people keep underestimating Jimmy so much -- He's proven time and time again how resourceful he can be and trying to slip up the Slippin' master through tired platitudes and anecdotes is like installing a revolving door in a bank.
I think one of the most interesting perspectives this episode made me draw had to be the one that compared Jimmy's development to that of Walt White's.
They are so very different. Both born in the light, one who willingly lets himself slip into the dark, while the other is desperately trying to cling to the light, but countless times again and again, he's hindered by those closest to him. Jimmy isn't a bad guy, he's certainly not a hero, but he's a guy who is trying his best to change and please his brother, his friends. He's made so many sacrifices for all of them, and he was even willing enough to give up the perhaps-greatest case of his life to his archnemesis Howard, simply because they implored him to do so.
Case in point -- I hope we get to see Jimmy try his best again to lawyer HHM under the table. All bets are off at this point and Saul Goodman is drawing ever so closer.