You're making distinctions that don't exist. What exactly am I supposedly ignoring?
No, if people didn't become invested in the series, few would bother talking about it, certainly not as strongly and for this long. Nobody would care. It would just be a game we all played years ago.
Sure I make distinction that don't exist. Coherence has nothing to do with the relation between form and content, it has nothing to do with the relation between macrostructure and microstructure, it has nothing to do with the relation between the intentions of the author and the aesthetic used.
But sure we don't write with words, and in storytelling the purpose isn't to tell a story, it's to create a world. The narration itself comes after the fictional world created. Only the world created is the narrative coherence? Then the narration itself has nothing to do with your narrative coherence.
Seriously, don't you see the problem? Your definition doesn't integrate the narration in the coherence (and for the youtuber, it's even worst because he is supposed to talk about narrative coherence but never consider the narration as a structure).
Because I understood his point and understood/ now understand the topic. How do you know anything you've ever read is right?
So just because you understand it you think it's right. Ok then let's go back to something you will deny : if you were in the antiquity, and you were listening to Aristotle saying that Earth can't be moving, otherwise the bird would not be able to go back to their nest. From a logical point of view he is right. From a sensitive he is right too (we don't feel Earth moving, and don't see it moving). So that would be enough to say that he is right. But we both know that he was wrong. So how do you know that he is wrong?
If you have really read some books written by critics, you would know that he is talking about one aspect. What he thinks to be the totality is actually a part. His ignorance is obvious. And he never care about the narration itself, otherwise he would be analyzing the structure. He've already shown you the line that goes through the trilogy and how the catalyst isn't incoherent with what was set in the game, that was just an example of how the narration is coherent.
The poor English made this really hard to actually understand but you have no idea what you're talking about. Stop name dropping and actually explain something for a change. Make an actual point.
Yes, "spell" and "magic" was used on purpose. Just like the illusion comparison I used. Apparently you also need to go study what "suspension of disbelief" is.
Advice : stop internet and Hollywood products. Open books. Take a look at what are considered to be masterpieces of literature, and try to understand why they are masterpieces.
So as I said, you should read directly (and not using internet or any other indirect way to create the illusion that you know something) things about structuralism. You will learn that a text is a potential. Reading things about semiology will teach you basically three level : poiesis (creation, neutral and aesthesis (reception). You will see that there is no magic in there. There is no fictional world that appears magically. Reading things about reception will help you learning the fact that the reader is actually active. The reader creates the meaning that is a potential. It has nothing to do with entering a fictional world. You will also learn that imagination is actually one of the process of reading. It is created by reading. Reading is a complex process. Teachers try to make their student some good readers. Just like Umberto Eco was thinking, it's actually a cooperation that makes someone a good reader. Following the text, accepting the text, that's the basis of an analysis. Basically that's what you will see. You will probably say that what I wrote is a mess, you can't understand it but it's just because it's from the beginning that we should have to start the discussion about it. Your vision of a text is wrong, your vision of the reception is wrong, so yes I can understand that you believe some random guy on internet if they say what you want to hear. The same goes for Tolkien's quotation : I've already said it, what he said is interesting if we want to understand his aesthetic and those who write in this aesthetic, but no it's not a serious theory about writing. There are real critics who developed theories, you should rely on them instead of some magic.
And as I said, "suspension of disbelief" depend on the aesthetic. There are books in the XVIIIth century that break the illusion. Same for the XXth century. It seems that you have never read some book like this.
And what about those magician Penn and Teller who actually explain how they do their cup and balls while doing it. That's real magic, without the illusion. Those guys are really famous and world champions of magic. If you reador listen what they say about magic you will have a real suprise (basically nothing magical in magic, it's all about work, misdirection etc... so an intellectual process).