But Dorian's story isn't one of discrimination based on his sexual orientation. It's a story about a son refusing to go along with his arranged marriage, damaging the relationship between a powerful Magister and his only heir. Dorian's story could have played out in an almost identical way if Dorian were straight.
We still don't have any indication that there is any discrimination based on sexual orientation in Thedas. But we shouldn't be surprised that the nation that relies upon eugenics in their noble families don't look favorably on individuals who don't "do their duty" to family.
That might have been the intention, but I don't think that's how it necessarily came across... proof being all the people, myself included, to whom it came across as being based on his sexual orientation. Given that meaning is something derived by the audience, what people take away is true, even if it's different from authorial intent or other audience reception.
Tropes like 'cure the gay', and 'trying to change who his is,' and 'not living a lie' have a stronger resonance with the gay angle than the arranged marriage. The character story focused more on that Dorian's father tried to fundamentally change his preferrance than on anything about just going ahead with an arranged marriage (like, say, blood magic to force intercourse).
'Blame' isn't the right word, but I do feel there was a touch of writer projection with Dorian. Gaider once wrote that writing Dorian allowed him to exorcise personal ghosts, and that was something I suspected even before I read his comment. One of the elements that stuck out to me was the parallels to gay conversion 'therapy.' The pretext of the story may have been that Dorian didn't want an arranged marriage, but the heart of the drama was about his orientation, and the father's attempt to change it. Dorian being gay was integral to his character, and I truly thought that was wonderful all around, but the character arc would have lost most of its impact had its focus actually been on anything but a gay man being forced straight.
If it had been a gay-on-gay arrangement, or even Dorian being heterosexual, most of the drama (and audience sympathy) would have been lost. It's a scenario which works because of the forcing of sexuality, not relationship in abstract- the story would still hold true and relatable if the political arrangement angle were dropped entirely, but wouldn't carry itself without the sexuality angle and if it were just a case of 'I don't love -him/her-.' The former is a violation of the innermost, most fundamental sense of self common to us all. The other comes across as selfish whining from an entitled and privileged aristocrat.




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