Hans Zimmer.
No. With the exception of parts of Interstellar, Zimmer has been mostly awful since he scored Crimson Tide.
On the other hand, you could probably steal his Broken Arrow score and liberally apply it to ME:A.
Ramin Djawadi is one of Zimmer's better minions and could do good things with a ME game.
A restraining order should be placed on Clint Mansell to prevent him from scoring any more video games. In fact, he should only write music for pharmaceutical commercials.
I guess I can live with Sam Hulick as long as he leaves his themes from ME3 where he left them. I wish Jack Wall was coming back too, as I think most of the highlights of ME1/ME2 were his doing, but if he declined ME3 I don't suppose he'd return for ME:A.
My pick would have been Cliff Eidelman, who is little known (and could be hired on the cheap) but who wrote a spectacular score for Star Trek VI.
And yes, he was told by the director Nicholas Meyer to use Holst's "The Planets" as inspiration.
Modifié par Saikyo_McRyu, 01 juillet 2016 - 04:42 .





Retour en haut







