So I'm just now getting round to reading the World of Thedas Volume 2 and just finished the abridged version of the chant. After reading the last canticle, the Canticle of Exaltations, which is supposed to be the equivalent of the real world Revelations in the Bible, I'm starting to think that Drakon actually had a legitimate prophecy/vision and that he didn't just write it for political purposes. Namely based on these verses. It's not a perfect fit -- or even chronological, but I think the idea might be that the Dragon Age is when the Maker will finally return (as Chantry lore teaches) as I think he was witnessing events within the Dragon Age. (I'm not saying whether or not the Maker is real or if he will return -- I'm just interested in the fact that Drakon seems to have had a legitimate vision and am interested in the implication it has for future games going forward, especially in relation to Solas and the Veil):
The air itself rent asunder, spilling light unearthly from the waters of the Fade. Opening as an eye to look upon the Realm of Opposition in dire judgement.
Sounds like Corypheus opening the breach. (I think the "realm of opposition" would be Thedas/the material world.) Of course, if Solas actually manages to bring down the Veil, it could also be referring to that or both those things.
And in that baleful eye I saw the Lady of Sorrow, armored in Light, Holding in her left hand the scepter of redemption. She descended from on high and a great voice thundered from the top of every mountain and pinnacle across creation; All heads bow! All knees bend! Every being in the realm of opposition pay homage, for the Maker of all things is returned to you.
Given the fact that many people who went on to form the inquisition at the beginning of the game misinterpreted the spirit of Divine Justinia as Andraste herself when she guides the inquisitor out of the fade, Drakon also could have followed for this misinterpretation in his vision, mistaking the Divine helping out the inquisitor for Andraste. Additionally, the "scepter of redemption" could refer to the mark/anchor used to close the breach/veil tears as it's on the inquisitor's left hand (meaning that in the prophecy, Drakon seems to be conflating Andraste/the Divine with the Herald of Andraste.) The voice thundering from "the top of every mountain" could be a reference to Skyhold in the Frostbacks as the Herald of Andraste expands Andraste's influence across southern Thedas building the Inquisition, a force to be reckoned with, throughout the game and many begin to regard the Herald as the voice of Andraste.
Seven times seventy men of stone immense rose up from the earth like sleepers walked at the dawn. Crossing the land with strides immeasurable, and in the hollows of their footprints paradise was tamped, indelible.
The "men of stone" seems to refer to the titans awakening once again and once more shaping the earth. Of course, so far we've only see one Titan barely begin to stir once the breach opens. Maybe once Solas brings down the veil, the Titans will awaken once again? Incidentally, the verse seems to be implying that there are either 490 titans sleeping across the earth, or that each Titan is about 490 feet tall. ("Seven times seventy") I think the latter is maybe more likely as 490 is kind of a lot of titans.
and I heard from the east a great cry as men who were beasts warred with their brethrean, tooth and claw against blade and bow, until one could no longer be told from the other, and cursed them and cursed their generations.
This one is perhaps the hardest to fit into the context of Inquisition but it does seem exactly like what happened in Origins between Zathrian's tribe and the werewolves. (Fereldan is obviously to the east of Orlais.) But as the prophecy could be referring to the Dragon Age generally instead of specific events, this could be one of the things Drakon witnessed in his prophecy even though it's not directly tied to the breach/the veil coming down. Alternatively, I've seen it speculated that this could refer to the events in the Jaws of Hakkon, which still qualifies to the east and is more in keeping with the theme of these events happening in/around the Frostbacks. However, like the werewolf theory, this doesn't really have anything to do with the breach/the veil.
And those who slept, the ancient ones, awoke, for their dreams had been devoured by a demon that prowled the Fade as a wolf hunts a herd of deer. Taking first the weakest and frailest of hopes, and when there was nothing left, Destroying the bright and bold by subtlety and ambush and cruel arts.
This is very, very conspicuously a reference to Solas and the Evanarus. "Those who slept" seems to refer to whatever prison Solas devised for the Evanurus and the use of the analogy indicating that a wolf was hunting them in the Fade is certainly a reference to the Dread Wolf. The second sentence could refer to what Solas is doing to the Evanurus in their prisons or it could refer to what the Evanurus do to the mortals once the veil falls and they're released. (I think the latter is more likely.) Obviously this didn't happen as a result of Corypheus opening the breach as the Inquisitor stopped him but that's exactly what Solas intended to happen until he discovered that Corypheus knew how to cheat death. Nonetheless, Solas's plan is pretty much the same as what Corypheus intended in that it involves tearing down the veil so it's likely that we'll see the Evanurus released in future games as the result of veil tear. As an aside, I haven't read the comics, but one of them is called "Those Who Sleep." I think it's a reference from Yavana to the dragons under her care. But since the dragons seem to be related to the Evanurus, this seems like an apt description for them.
The ninth sacred mountain upon which rests the mortal dust of our Lady ascended. Whole into the heavens to be given high honor in the Realm of Dreams forever. And around it, a chorus of spirits sang: Whoasoever passes through the first is not lost, but made eternal; As air can never be broken nor crushed, the tempered soul is everlasting."
The mountain in question is pretty clearly supposed to be the one with Haven and the Temple of Sacred Ashes as that's where Andraste's "mortal dust" was. It certainly "ascends" into the heavens at the end of Inquistion when Corypheus opens a second breach and lifts the temple and surrounding mountain up into the air during the final battle. Not sure about the chorus of spirits though -- perhaps it's a reference to the Well of Sorrows -- which seems to be composed of spirits devoted to Mythal. The whispers in either the Inquisitior's or Morrigan's head or integral to figuring out how to kill Corypheus permanently. So the spirits who comprise the well of sorrows are singing about how they're eternal, not actually dead because their souls remain forever. (First in the well and now in either the Inquisitior or Morrigan.)
Thoughts?





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