Thank you all for your kind words. I just hope I haven't set the bar too high and end up falling flat on my face with Day 3.
@Pacifien - Well I figured that Mondo already did the "dinner and parent" thing (and dang well too), so I had to find something else. Pinnacle was the logical choice for a couple of people who like blowing crap up.
@york - Glad that you think it was an improvement. I just hope I can live up to it and keep improving (or at least not backslide). I have some ideas for how they deal with their issues (within the context of the story, not ME as a whole); those are slated for later chapters. Crossing my fingers that they won't go CLANG (as royce put it in a different context re: Day 1).

By the by, can you point to the specific pieces of dialogue that still came off a bit stilted? It would help for me to have a clearer idea of just where I took a misstep.
Also, I know that Shep comes off rather p-whipped; my take on it is that he's not asserting himself more because Jack is confrontational enough for the both of them. That and the fact that Shep is still trying to move away from his Renegade past. Overall, he's willing to give ground (only to a point; he knows Jack won't respect him if he's too submissive) if it keeps things going on a relatively even keel - he doesn't want to push back too hard and have everything blow up in both their faces.
And as for the nipple rouge - a relic of a misspent youth where I occasionally gained knowledge of things that require brain bleach.
@Jackal - I agonized over the "funny" bits (mostly that they weren't actually funny) , but in the end I just decided to go with what I wanted to see on the page. At least they didn't flop (too badly). I can see where Jack kinda comes off as an alky with that comment of hers. It wasn't so much that she wanted a drink that early in the day but that she figured Shep might have had a party and didn't invite her. Of course, later on it's just another of her verbal deflections to keep things from getting any heavier than they already were. And as for the visor, I agree with the earlier comment (forgot who said it, sorry) that it's fine in combat situations (wouldn't want anything to happen to those eyes) but hate it for cutscenes.
@Johnny & @Jackal - That dream sequence and its aftermath was the most sweated-over, most revised part of the whole thing. I went through three versions before I found one I liked, and even then I actually rearranged an entire third of it to get the flow right. I also worried that it was a little tropey and a lot unsubtle, but in the end I thought it was the best way to bring out Shep's background as well as his fears about their relationship. Then there was my worry that it was simply too early to drop in something that important/significant/weighty. I'm glad it didn't land with a thud.
@Johnny - Btw, that improvement is why all you lot are credited prominently in the author's notes. Couldn't have done it (or keep on doing it) without all of you folks' support.
EDIT: Added a bit more explanation about the dream sequence.
Modifié par Urdaniel, 14 mai 2010 - 01:27 .