Mondo47 wrote...
I leave for five minutes and you go all pyramidal on me! Honestly!
Just to comment very briefly on the one element that spoke loudest to me in the past few pages - re. the pacing of Jack's sudden turnaround from f*ck you, f*ck Cerberus and f*ck your grandma too to please cuddle me - I personally attribute it to one thing (two if you include the almighty be-all-end-all fact that the game can only be so long so pacing has to suffer somewhat and it's the romances that suffer most - deal with it, smoochin' ain't what the game's about)... Mortality.
Jack knows all about mortality - it's taken away the few things she's cared about (albeit discovered caring for them postpartum). Everything for the characters - if not for us the players - says that the trip through the Omega 4 is not something they'll return from. This is it; the sands of the hourglass are running out. A romanced Jack has come to understand all that discomfort and weakness she feels around Shep is not a bad thing - it's just part of her she's felt the need to supress constantly to keep herself alive. Now big bad Mr Death is knocking on the door, and not even her consummate-survivor attitude can get her out of this. She's seen what the Collectors and the Reapers can do; Jack is not so arrogant or so dumb that she can't appreciate that she's nothing to their might... she's one woman, and these monsters devour whole civilisations. She's a grain of sand on a beach and the tide is coming in fast. No matter how tough she makes herself, she is gonna be moved right off that beach - whoosh. Game over. And as for her little rant about death being an on/off switch, I do not buy that for a second. That's another bit of Jack's front. Life means a lot to her (if it didn't, considering what she's been through she'd probably be dead already either through too many risks or actually just taking things into her own hands and killing herself instead of giving others the chance to end it for her through her actions), and it means as much to others.
Last time she had an emotional investment in someone, she missed her chance to voice it. Now, with the clock ticking, she has a chance to do something she in all honesty she probably throught about last time... I can't see Jack letting her facade get in the way of getting back in touch with that part of her she's kept so tightly wrapped for so long. Sure, Jack's tough, mean, superpowered to all hell and a survivor to the nth degree, but she's always been that fragile, feeling woman inside; one capable of love and allowing herself to be loved. She just hid it away from people that might take advantage, use it or abuse it. Time's running out, though. So she bites the bullet and takes a chance on showing who she's always been inside because she really believes that based on all she's been through in all her life, and everything she's seen while travelling on the Normandy, it's all about to come to an end. So the breaks come off and she risks it all - nothing much to lose either way, as she's going to be dead in a few hours.
I like to think that's why it's so sudden - it's just her time to let it all come out (and it marks anyone that ditches her at that point doubly evil and unworthy of human affection). And hey, it's better than it being because BioWare had to finish the game sometime
You know, I wanted to say something similar, but I didn't articulate it the right way. It's great insight to the character.
Modifié par android654, 28 mars 2011 - 07:27 .





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