This is, I think, the problem I have with people stating absolutes about a character like Morinth. While I understand how people view her (grudgingly), I think it's a bit out of line because there's a lot of context that is missing (which is why I understand the view, but can't reconcile my distaste of it). We have an idea that what she suffers from is compulsion. We're told that (or at least the narrative leads us to be believe) she's able to choose who she goes after, but we aren't able to see who she goes after. I find that unfortunate because I believe she can be easily redeemed if we're given context to who she goes after and the reasons for doing so. Still it doesn't make her a monster outright. She could have been so, but there's nothing concrete. The only thing that gives way to cementing the belief that she's rotten to the core is Nef and if we're to take anything Samara said about Morinth to heart then Nef completely goes against the profile she initially established about who Morinth chooses. And if she can get that wrong what's stopping her from getting 40%, 50%, 75%...everything(?) wrong?Flamewielder wrote...
Neil Gaiman's Death is a creature of infinite compassion, willingly embracing the sad necessity of dying alone so that all other sentient creatures will have someone to take them beyond. Morinth, however, has NONE of Death's compassion, being a slave of her nature: a sociopathic psychic vampire who is addicted to the "high" it gives her of draining her victim's experiences as a proxy to an empathy she is denied by her condition.
In regards to Morinth, apart from other areas in the game, the narrative is all over the place. It's been discussed at length and I know that many would rather avoid it or maybe I would like to avoid it so I won't bring it up.
This is mainly what I hate about the direction taken with Morinth. Considering she only serves to prop up Samara (who I feel says a heck of a lot to bring herself down anyway) I would rather they didn't write Morinth at all. The only thing I find more useless than any character introduced with a lack of context for the things they do (though that is huge) are throwaway characters who are given important introductions, but don't do anything as a result to show they're alive. If someone is to be a red shirt then they don't need blue or gold shirt intros and/or exposition.Flamewielder wrote...
"A tragic figure, but not a sympathetic one" indeed...
Morinth is an interesting character, but suffers from being essentially an accessory to Samara's story. The fact that all she cares to talk about once you bring her onboard is how unfairly her daughter (and the universe) treated her doesn't help: she comes across as an ungrateful adolescent, blaming all her troubles on the outside world and never acknowledging her own faults. That doesn't speak too well regarding any intent Morinth might ever have of "atoning" somehow for the lives she took.
Interestingly, Samara speaks lovingly of her deceased daughter. It's the generational gap spun out of control...





Retour en haut





