Favourite Books.
#26
Posté 14 février 2010 - 03:10
Actually, Alan Moore is among the best authors out there. Experiemental narrations such as Fearful Symetry in Watchmen are just great.
The last work I got from him is Lost Girls; with is an erotic comic with a quality I haven´t seen literaly in decades; gods of the genre such as Milo Manara should be crying in jelousy.
#27
Posté 14 février 2010 - 03:11
A Killing Sound wrote...
I used to read some manga on occasion (sue me)like Akira, Dragon Ball, and Ruroni Kenshin when I was younger.
Nothing wrong with manga.
#28
Posté 14 février 2010 - 03:19
Statulos wrote...
V for Vendetta is not "decent"; it´s a masterpiece. The amount of symbolism, the references to consecrated classics and the ambiguity of discourses are amazing for a comic created in the beggining of the 80´s.
Actually, Alan Moore is among the best authors out there. Experiemental narrations such as Fearful Symetry in Watchmen are just great.
The last work I got from him is Lost Girls; with is an erotic comic with a quality I haven´t seen literaly in decades; gods of the genre such as Milo Manara should be crying in jelousy.
Sorry
#29
Posté 14 février 2010 - 03:22
#30
Posté 14 février 2010 - 03:24
#31
Posté 14 février 2010 - 03:50
But hey; I never said I disliked pessimist stuff! Malaparte´s Kaputt or Viva Caporetto! are prime examples of great, yet terribly pessimist literature.
Modifié par Statulos, 14 février 2010 - 03:51 .
#32
Posté 14 février 2010 - 04:06
#33
Posté 14 février 2010 - 05:55
Ender's Game by Orson Scott Card is a classic that should be read by everyone.
The Uglies series by Scott Westerfield is probably going to be a classic.
And for a fun read, the Percy Jackson books are quite good. Read them before you see the movie.
#34
Posté 14 février 2010 - 09:02
The Big Sleep
On The Road
Ham on Rye
A Farewell to Arms
The Maltese Falcon
The Sound and the Fury
The Master and The Margerita
#35
Posté 14 février 2010 - 09:23
Statulos wrote...
V for Vendetta is not "decent"; it´s a masterpiece. The amount of symbolism, the references to consecrated classics and the ambiguity of discourses are amazing for a comic created in the beggining of the 80´s.
Actually, Alan Moore is among the best authors out there. Experiemental narrations such as Fearful Symetry in Watchmen are just great.
The last work I got from him is Lost Girls; with is an erotic comic with a quality I haven´t seen literaly in decades; gods of the genre such as Milo Manara should be crying in jelousy.
You get bonus points (not that you wanted them or anything, but still...) for this. Alan Moore is indeed one of the best writers of contemporary fiction still alive. Have you read From Hell? Brilliant book. I think it's one of the best examples of Moore's style, taking the "traditional" style comic (3x3 panels in linear structure) and taking it to its limits as a medium, fitting in as much as he can as a writer into that format.
#36
Posté 14 février 2010 - 09:42
You learn a bunch on sniper tactics, how war was from the position of a sniper etc. without any censorship.
Great book, extremely thrilling from page 10 to the end, and its even a real story, not a fairy tale.
The lack of censorship is actually amazing.
Modifié par The Woldan , 14 février 2010 - 09:43 .
#37
Posté 14 février 2010 - 09:50
Archdemon Cthulhu wrote...
Statulos wrote...
V for Vendetta is not "decent"; it´s a masterpiece. The amount of symbolism, the references to consecrated classics and the ambiguity of discourses are amazing for a comic created in the beggining of the 80´s.
Actually, Alan Moore is among the best authors out there. Experiemental narrations such as Fearful Symetry in Watchmen are just great.
The last work I got from him is Lost Girls; with is an erotic comic with a quality I haven´t seen literaly in decades; gods of the genre such as Milo Manara should be crying in jelousy.
You get bonus points (not that you wanted them or anything, but still...) for this. Alan Moore is indeed one of the best writers of contemporary fiction still alive. Have you read From Hell? Brilliant book. I think it's one of the best examples of Moore's style, taking the "traditional" style comic (3x3 panels in linear structure) and taking it to its limits as a medium, fitting in as much as he can as a writer into that format.
From Hell brings probably the only splash page I have seen in Moore´s entire career. And the image of the Great Architect was well worth it.
Besides, the amount of documentation and quotes in that book resambles and archeology Ph.D. being almost as extense as the comic itself.
#38
Posté 14 février 2010 - 01:02
Count of Monte Cristo, The Man in the Iron Mask and The Three Musketeers by Alexandre Dumas
Girl With A Pearl Earring by Tracy Chevalier
Alice in Wonderland & Through the Looking Glass by Lewis Caroll
The Moonshae Trilogy by Douglas Niles
The Icewind Dale Trilogy by R.A. Salvatore
The Hunter's Blades Trilogy by R.A. Salvatore
Starlight and Shadows Trilogy by Elaine Cunningham
Elminster's Daughter by Ed Greenwood
The Blood of Elves(The Witcher Series) by Andrzej Sapkowski
Neverwhere by Neil Gaiman
The Dark Elf Trilogy by R.A. Salvatore
Memoirs of a Geisha by Arthur Golden
Tales of the Otori Series by Lian Hearn
Abhorsen Trilogy(Sabriel, Liriel and Abhorsen) by Garth Nix
Neuromancer and Count Zero by William Gibson
Deathworld 1 by Harry Harrison
The Diamon Age by Neal Stephenson
The Night Watch Trilogy by Sergei Lukyanenko
The Vampire Lestat by Anne Rice
The Redwall Series by Brian Jacques
Modifié par Andarthiel_Demigod, 14 février 2010 - 01:03 .
#39
Posté 14 février 2010 - 01:08
Sandman I love.
Hal Duncan - Book of all Hours series. His knowledge of mythology and history is close to intimidating, and his ability to spin and weave it into beautifully written story that fragments and spirals around and unto the main theme is compelling.
Roussau - Du Contrat Social. But let us not forget that man was a damned hypocrite!
Mme de Stael - De l'Allemagne.
Journals of Sylvia Plath.
Dave Cullen: Columbine. Very sensitive and sensible book about notorious topic.
Truman Capote: In Cold Blood. I do not think this was as factual and neutral a story as Capote would position this work, but it is so coherent, so chillingly accurate that this becomes irrelevant.
#40
Posté 14 février 2010 - 01:19




Ce sujet est fermé
Retour en haut






